By Gordon Kerr
The town of Perth in Western Australia was once the type of position the place humans hardly to fasten their doorways; they have been pleasant and constantly able to lend a aiding hand to neighbours. that every one replaced while Eric Edgar Cooke introduced his one-man crime wave, a spree of mindless killing that surprised Perth, altering the town and its population endlessly. learn the terrible account of Cooke's killings in addition to the tales of many different Australian serial killers – doing it simply because they'd the urge and ... simply because they loved it an excessive amount of to stop.
Eric Edgar Cooke, William the Mutilator Macdonald, Paul Charles Denyer, Ivan Milat, The Snowtown Murderers, John Wayne Glover, Peter Dupas, Catherine and David Birnie
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Note Glenn Shuck, Marks of the Beast: The Left Behind Novels and the Struggle for Evangelical Identity (New York: New York University Press, 2004), and James W. Jones, “Eternal Warfare: Violence on the Mind of American Apocalyptic Christianity,” in The Fundamentalist Mindset: Psychological Perspectives on Religion, Violence, and History, ed. Charles B. Strozier, David M. Terman, James W. Jones, and Katharine Boyd (New York: Oxford University Press, 2010), 91–103. 15. Jacques Derrida, Pascale-Anne Brault, and Michael Naas, The Work of Mourning (Chicago: University of Chicago Press, 2003); Paul Virilio and Chris Turner, Ground Zero (London: Verso, 2005); Giovanna Borradori, Philosophy in a Time of Terror: Dialogues with Jurgen Habermas and Jacques Derrida (Chicago: University of Chicago Press, 2004).
22 The text is presented as a dream, which is why John writes it in the past tense, and it moves quite logically from the release of great violence at the hands of an angry God to final redemption in chapters 19 through 22. Revelation is also a survivor narrative, for the text proves simultaneously the death and torment of the other and the salvation and redemption of the elect. There are, of course, many survivor narratives, and some can become paradigmatic of the hopeful for all time. But in the apocalyptic the survivor narrative gets corrupted and turned into violence as it gets totalized, or turned into an absolute story of redemption.
Violence is intrinsic to paranoia, even, I feel, ontological within it, at least in fantasy. ” Such violence, even in fantasy, is experienced by the paranoid, in other words, as self-protective. But, given the rigid dualistic world that the paranoid inhabits, to act against the perceived tormentor in the name of self-protection is to become a savior. Violence heals and redeems. The evil of the world threatens our very existence. The paranoid becomes himself the vehicle of salvation and redemption, which is why, I think, paranoia plays such an important role in religious fundamentalism and the apocalyptic.